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Kunstiteaduslikke Uurimusi, 2018/1–3 (27)
Kunstiteaduslikke Uurimusi, 2018/1–3 (27)
Author
Koostanud Kristiāna Ābele
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Ingliskeelne erinumber „Representing Art History in the Baltic Countries: Experiences and Prospects”
ARTIKLID
Tojana Račiūnaitė. The Art History of Invisible Originals, or ‘When Shadows Talk…’, 10–29
Jolita Mulevičiūtė. Hunting for the Phantom, or the Prospects of Studying Nineteenth-Century Lithuanian Art, 30–45
Kristiāna Ābele. The Baltic-Latvian Family Tree of Artists’ Dictionaries in the Nineteenth and Twentieth Centuries, between Amateurism and ‘High’ Art History, 46–75
Baiba Vanaga. Women Artists and their Work as a Subject of Exhibition Reviews in Latvia: The 1840s–1915, 76–106
Bart Pushaw. Living Stones and Other Beings: Earthen Ecologies within Baltic Visual Culture, 1860–1915, 107–129
Ieva Kalnača. The Manifestations of Orientalism in Latvian Architecture and Art during the Second Half of the Nineteenth Century and First Third of the Twentieth Century as a Versatile Research Platform, 130–152
Laima Laučkaitė. Our Alien Legacy: German Art during World War I in Vilnius, 153–173
Ieva Astahovska. Visionary Worlds of the Cold War, 174–192
Jüri Kermik. Time and Place: Young Estonian Designers in the 1980s, 193–222
Agnė Narušytė. Post Ars Photo Performances: Material for Research or a Work of Art?, 223–249
Julija Fomina. How to Represent a Present? Constructing the Notion of ‘the Contemporary’ in Lithuanian Art Exhibitions of the Last Decade of the Twentieth Century, 250–264
Linara Dovydaitytė. The Problem of Public Participation in Art Museums, 265–280
ÜLEVAATED
Artist’s Personality in Latvia’s Art-Historical Monographs since the Beginning of the Twenty-First Century. Stella Pelše, 281–287
Art History of Latvia: Some Editorial Comments on a Project in Progress after Publishing Volume V Period of Classical Modernism and Traditionalism. 1915–1940. Eduards Kļaviņš, 288–292
ARTIKLID
Tojana Račiūnaitė. The Art History of Invisible Originals, or ‘When Shadows Talk…’, 10–29
Jolita Mulevičiūtė. Hunting for the Phantom, or the Prospects of Studying Nineteenth-Century Lithuanian Art, 30–45
Kristiāna Ābele. The Baltic-Latvian Family Tree of Artists’ Dictionaries in the Nineteenth and Twentieth Centuries, between Amateurism and ‘High’ Art History, 46–75
Baiba Vanaga. Women Artists and their Work as a Subject of Exhibition Reviews in Latvia: The 1840s–1915, 76–106
Bart Pushaw. Living Stones and Other Beings: Earthen Ecologies within Baltic Visual Culture, 1860–1915, 107–129
Ieva Kalnača. The Manifestations of Orientalism in Latvian Architecture and Art during the Second Half of the Nineteenth Century and First Third of the Twentieth Century as a Versatile Research Platform, 130–152
Laima Laučkaitė. Our Alien Legacy: German Art during World War I in Vilnius, 153–173
Ieva Astahovska. Visionary Worlds of the Cold War, 174–192
Jüri Kermik. Time and Place: Young Estonian Designers in the 1980s, 193–222
Agnė Narušytė. Post Ars Photo Performances: Material for Research or a Work of Art?, 223–249
Julija Fomina. How to Represent a Present? Constructing the Notion of ‘the Contemporary’ in Lithuanian Art Exhibitions of the Last Decade of the Twentieth Century, 250–264
Linara Dovydaitytė. The Problem of Public Participation in Art Museums, 265–280
ÜLEVAATED
Artist’s Personality in Latvia’s Art-Historical Monographs since the Beginning of the Twenty-First Century. Stella Pelše, 281–287
Art History of Latvia: Some Editorial Comments on a Project in Progress after Publishing Volume V Period of Classical Modernism and Traditionalism. 1915–1940. Eduards Kļaviņš, 288–292
Delivery 7-14 workdays
Club price:
11,95 €
Price:
11,95 €
-0%
Availability in stores
Share
Format
Paperback
Author
Koostanud Kristiāna Ābele
Language
English
Publishing company
Eesti Kunstiteadlaste Ühing
Order in the series
2018/1–3 (27)
Series
Kunstiteaduslikke Uurimusi
Added date
20.02.2019
Year of publication
2018
Pages
292
Size
240x170
Product code
1610815
Barcode
977140628600815