This Dictionary uses both typical and atypical terms to aim at one thing: modern and contemporary art´s reproductive nature. Its subject is its enemy. From many different angles, the Dictionary speaks and shows how art of the last 130 years reproduces our nihilist misfortune in many forms: historical, political, scientific, cultural and others. Fortune that is to be produced is pushing this Dictionary forward and so is the Dictionary pushing its readers onward, ahead of betterment and beauty.